Chris BCT Says: The second of two BCT tape comps compiled by Steve of Flush (Productions
as I recall) in Berkeley using the last batches of tapes sent to us for
BCT tape comps. As I mentioned there were 30 sent to us after these
tapes but every single one sucked bad in every way. Stunning, like the
musical Altamont to the end of our musical punk window of '83 to '86.
Thanks Steve!
(Editors Note: There might be some mislabeling going on with this one. I apologize and welcome any corrections.)
Chris BCT Says: I don't remember our exchange with Barabbas Records but somehow we
agreed that BCT would release this tape comp. I don't remember if they
were associated with Barabbas zine from Finland but it was big in size
and one of the finest zines in the world, all in Finnish. They made
this tape. I thought they made the sleeve but I recognize one of our
hand writing on the sleeve. As ever, ya can't usually go wrong with
classic Finnish 80's HC.
Chris BCT Says: This was the second of two tape comps that someone else had already
released and then we released it on BCT, the other being #16 Senza
Tregua. This one was made by e.s.t. label in Italy. It's definitely
one of my favorite BCT tape comps or comps, period. They did the
sleeve. Ya got a great pic of the sleeve here. I'm impressed with the
clarity of it. Released 12/84. Two other of my favorite Italian bands
from the 80's, P.S.A. and Noise noise noise. I had the tape release of
each band, also great.
Chris BCT Says: Bloodlake was from Vista, a city in north county of San Diego. They did
2 demo tapes. The first one is on You Tube. The second one I gave to
some girl whom I never ever saw again cuz we both liked them and I
dunno, it's all I had. Simon, the drummer, went on to be in Crash
Worship. I went over to Simon's house once and Bloodlake was doin' a
rehearsal in their garage. I tried to record it. I may have actually.
Mar Moreno of Diatribe may know how to get hold of Bloodlake. He's on
fb. Someone did a 7" of this Youth Quake material. By this time, 1986,
me and my 2nd BCT partner, Christopher had just got burned out making
tape comps. Somehow we'd hooked up with Steve of Flush, a small tape
label in Berkeley. Went to his house and he agreed to put together this
tape comp and our final one, #27. He did a great job. They both sound
just like what Christopher and I would have made. Made being selecting
the strong songs and not using weak songs and then it's tough deciding a
third of the songs that are sorta mid range. We had the tape made and
were listening to it through for the first time and a part time BCT
helper, Andy Social was with us and mid tape he goes, "That's car crash
music!" And I go, "That's the name of the tape." It's funny how names
for the tapes was like a whole element of doin' BCT. This is one of my
favorite BCT tapes. We also listed in the BCT catalog all the zine
reviews of any of the tapes we could find. And we put in a list of all
27 tapes and rated them ourselves for both musical and recording
quality. I gave this a 9 musically and 10 recording quality. The tape sleeve drawing came unsolicited from a punk who ordered about 5
tapes. I just ran across his original letter as I set aside and saved
the 20 or so letters we got that had art drawn on them. He's got BCT on
his t-shirt so I just had to use it. I like it.
Chris BCT Says: Oh, don't forget, Velved distro sells all 27 BCT tapes. Just ask him.
This is the 3rd of 3 tapes that a band we asked to send their music sent
their tape in, premade. I still think the lst 2 demo tapes, the pink
and then the blue one of FO are stunning. This material just doesn't
blow up as I recall. And I'd never heard of Gepopel, like 2/3's of the
bands that sent tapes to us, and we only used this full tape cuz we
asked FO to send something in. If we'd used our usual editing, using
only songs that rip we'd a used maybe 10 to 15 minutes of the FO songs
and none of the Gepopel. Released 5/85. They did the tape sleeve too.
Chris BCT Says: Never did care for this pic for the tape sleeve. I shoulda been more
assertive and asked for a different one. I'm not sure how this tape
came together. I think we had several Spanish tapes come in over about a
year period and it was easy to make this single Spanish tape. It came
out 10/84. We got one more Spanish band after these came in,
Subterranean Kids and put them on #24. R.I.P. just contacted us saying
this is the best recorded live show of them back in the day. We have an
alt version of the tape sleeve in the catalog. I shoulda swapped it out
for that other one. What was I thinking? I think Ultimo Resorte is
the only band on BCT with a female vocalist. I'd occasionally go to
Tijuana and I'd try to make some copies, like 20, to sell for the TJ
punx price of $2 and always made a few more of the Spanish tape for 'em
and, naturally, it sold like hot cakes.
Chris BCT Says: I got together, of course via snail mail, with Kaaos zine in Finland.
He proposed that I send him 3 tapes from bands who sent their tape to us
and he'd use the music from 3 bands he had there and make a single
tape. This is the tape he made. It's what can happen when you have no
control over what music shows up on your tapes. I think the 3 U.S.
bands are strong while the 3 Finnish bands are not. This is Kaaos ll
cuz there was a Kaaos l but I can't remember why it was never released.
I even have the set list of bands and songs for Kaaos l but I have no
idea where the tape is or if it even came into existence. The Kaaos guy
did the total sleeve too.
Chris BCT Says: Local band in existence from '80 to '81. We worked with Cliff
Cunningham, a local stalworth of the scene who made the tape. I'm
willing to call this the only non HC tape we released. It's certainly
punk. Their 7" is on here (I think they did two?). Prison Walls is one
of the great songs ever. I 'commissioned' this tape sleeve from our
main punk artist for BCT, J. Yarbrough. We made a song title for #12
that was the same notion, "I'm Taking a Drug, It's Coming From These
Speakers." Released 10/84.
Chris BCT Says: This came out 12/84. It was, at that time, all known recordings of
Indigesti. It's our only tape that's not very close to a full 60
minutes (maybe 20 also?). Indigesti asked us if we'd do a tour for them
in '86 like we'd done with Raw Power and Riistetyt in '84. I told my
then BCT partner, Christopher that after losing $5,000 on the first tour
I had no stomach to do another one. He said we wouldn't lose money.
We broke even cuz the U.S. band Follow Fashion Monkeys joined the
Indigesti tour and we toured in their van! Made all the financial
difference. I got to be on 9 of those days, another 40 day tour.
Christopher was on the rest. Stiv of T.V.O.R., one of the world's
greatest zines (Italian, in Italian) was also on the tour and a gal who
video taped all the show. Unfortunately, she rarely placed herself well
so mostly I think she got people's heads. Great tour again. Glad we
did it. Our last.
Chris BCT Says: I was sitting around talking with a long time punk friend and someone
else. The other guy says something, my old friend modifies the
statement and then I modify his statement saying, I Thrash, Therefore I
Am. Still my favorite punk comp tape name. I met Brian Walsby in a
parking lot of some gig I think in L.A. and he was happy to do some art
for us. This is my favorite punk tape comp cover. When Craig of
Schizophrenic Records re-released this on cd in 2002 (500 pressed), it
was our first cd and I open the box and they have the worst cover of any
punk cd comp of all time which I think is ironic cuz, to my ears, this
is the finest HC comp of all time (not that there's a competition and
there's several, Russia Bombs Finland, Propoganda, Raw War, Really Fast
Vol. l, that rule). It showed what can happen when you do a project via
email. I asked him to have the pic at the center of the cover and,
sure enough it is, but swamped in this weird design. He re-issued the
lp (2003, splatter blue 500 pressed) and the cartoon is there front and
center like the great drawing it is. Xpozez is the only British band on
BCT. They have one live song here and it's My Generation, punk
version. It's about the only song here that's subpar recording quality
but it's fantastic. Anti-Cimex has a song 'Fight for Freedom' which was
the only song that me and my 2nd BCT partner, Christopher, and I had a
disagreement about. He didn't go for what the lyric called for. For me
it was one of the best songs and I do believe in fighting for freedom
tho, like most of us, I'd rather do other things than fight and war is
one of the stupidest things humans do, obviously. This is the only tape
comp we did that's all bands from a buncha European countries (7). The
RP tracks did not appear elsewhere on BCT. I believe they're from the
one of two gigs that were recorded soundboard. For the cd reissue Craig
included the best 7 minutes from the Terveet Kadet BCT tape. Fits well
on the cd, musically etc. This was released 2/85. The cd is 74 minutes with about 2 extra tracks
not originally used that are good. One by Anti Cimex starts smaltzy
slow but then kicks in. I guess we rejected that back in the day. We
always had our ears on. Great song, it's on. Sucks, it's off. What
was a bit difficult was when a song was like in between. Use it cuz
it's ok or ditch it cuz it just don't blow up. Ya live with your
decisions. I was glad with almost all our song choices for this tape.
Chris BCT Says: RP just popped for us when we got those original 60 and 2 90 (or
whatever) tapes from Roberto Schavio in 1983 from Italy of Italian HC. I
forget exactly how we heard, I guess by snail mail, that RP wanted to
tour the U.S. and would we help them do it. This was nothing like we'd
ever done and like fools, we agreed to. It did, indeed turn out to be
the trip of a lifetime. I wish I'd done things a bit different but what
did come off was grand. I did a report on the tour for
KillFromtheHeart in 2002 at the behest of some Italian punk to write
something. And I think I recently re-discovered it and cut and pasted
it for myself. I'm not sure where I put it. They were total gentlemen,
full of energy and joy. It appears I brought a tape recorder, of which I
have zero memory, dunno why. I didn't take pics or vids. Mr. Video
(an African American) took one at the Philly show and showed us, all
chaotic filming. Useless Pieces of S.. did in Tucson. I foolishly
never contacted them but I've heard they have it layin' around.
Flipside filmed that lst International Olympic gig. Tons of kids on the
stage with RP the entire set. And one other show got filmed. Near the
end of the tour for the Indianapolis tour we had one extra day there
and the band and our host, Paul Mahern, decided to record an lp in his
studio which they did. A friend of Paul's did a 10 to 15 minute video
of the band recording which I saw a bit of. As it was the end of the
tour the band had played the whole tour together. The original
screamer/guitarist couldn't come so Davide did and imitated his scream
for the few songs they have a screamer on and had a tinge more metal
flavor git than the original guy who had, I think none. There was a
wonderful disagreement between the band, their only one, I think in
Cleveland and I remember starting to record it (audio) cuz it was so
verbally furious. I quit after about 4 minutes for what I thought might
be respect for privacy. After about 8 minutes they were done and all
was well again. I learned it was about Davide's metal tinge he'd
brought to the shows all tour. I played the tape for an Italian punk
visitor a year or two later and he couldn't understand them as they were
talking in some dialect of Italian that he could not understand. The
drummer was Elder, age 17. I never could detect Giuseppe's 2nd guitar
sound, ever. Clearly, tho it's part of their wall of sound. He and
Dode (bass) didn't speak English. I used all 100 words I knew in
Spanish and they didn't need a translation for any of them. We all
spoke punk, gig, guitar, Minor Threat etc. The band were otherwise in
their 20's and I was the old man at 29. It was the first time I'd had
punx callin' me Chris BCT. Excellent and that cow bell, man, you gotta
see it, a real one, and seemed rough and old. Bigger than I'd expected.
They told me usually at home Dode, might jump a bit during a set but
all tour was jumpin' lots. I think it was 24 shows in 40 days. The
only cancellation was for D.C., bummer. Did spend an extra day due to
that in a home in the forest in Connecticut. RIP Giuseppe who passed of
I believe a heart attack like in his 40's. High quality guys. I'll
never forget that true punk highlight of my life. I highly recommend
every punk be on a tour if possible. We released this 3/85.
Chris BCT Says: This was the first of 2 tape comps we released that was already made by
someone else. In this case by the punk cooperative in Italy, G.D.H.C.,
Grand Ducato HC. I always liked that duck cartoon. For some reason the
original tape version has one extra tack by Juggernaut 7 vs 6 and
Useles Boys 3 vs 2. A classic musical example of 80's Italian HC. This
was released 6/85. In 2002 enterruption did a stunning lp of this with
a cover commissioned to Winston Smith 1,000 pressed with more than 1
different color vinyl. Almost every song also appears live on the LWC
BCT two tapes.
Chris BCT Says: Only split release on BCT. We did try to jam fill the 60 and 90 minute
comp tapes. One of the big advantages of tape over lp and 7", more
music. We tried to be totally open about the tapes on our catalog.
Here's what we said about 13: 'Weak recording for most of Stazione
Suicida, and the music slows occasionally. Putrid Fever has clean
studio sound and a strong live recording.' The live is from the LWC
gig, their full set. If you show 19 songs does that mean there's 19
trax? I still haven't heard a note from these. Sometimes when we made
cdr's of BCT tapes either the machine made each track unique or it was
side A and B like the tape, a 2 track cdr. This drawing isn't exactly
what I'm into but we farmed out our art work to whomever asked to help
us who had art skills. J. Yarbrough from somewhere like MO did most of
our sleeves and laid out our catalog, something we (lst me and Dave then
in mid 84 me and Christopher) had no skills at doing. Still don't.
Chris BCT Says: I forget who, a hand full of punx, wrote us during our heyday and asked
us how to do punk tape comps. And most of them went on to do some. I
said to come up with a tape name look at the supermarket tabloid
headlines, among other things, to find possible titles. That's what I
did for this tape. I didn't wanna be totally plageristic so I modified
the headline which was about the one freak's search. Plus we had a one
time only flurry of tape names all at once so we heaped them all onto
this tape: Break Slamming; May Cause Dependence on Laxatives; Not a
Bunch of Love Songs; Squeezing the Green $ Weenie; You Make Me Feel
Ookie; Pure Erotic Fluff; I'm Taking a Drug--It's Coming From These
Speakers. One of my favorite bands is the Hates. We may actually have
asked them for a contribution cuz of that and got these few trax.
Christian saw the Sex Pistols in Houston in 78 and was never the same,
formed the Hates and they're still in existence. Possibly the least
known ongoing punk band in the history of the world cuz they never tour
outside of Houston area cept once in 2002 when I set up a 10 city
Southwest tour for them. Check 'em out. UPS I called ultra core back
then, faster than most other bands of the day. I foolishly thought of
our best of lp as only tapes 1 to 11 but there was only 32 minutes. i
could have gone into #12 here and gotten 8 more and it would have been
mostly UPS. You may find this to be true also, whenever i show non punx
band names or record or tape titles they find some of them to be funny
or thought provoking etc. Plenty of that all thru BCT and punk
generally. Our friends Psycho kept showin' up on various BCT tapes cuz
they sent us like 4 different tapes from 83 to 86 or so all with some
good stuff and eventually they came out here to San Diego from Boston
and did a gig. I don't even know if it was a tour or a vacation but
they became addicted to real taco shop burritos, of course. This is the
tape with a band that as soon as we got the tape there was a slight
shuffle of paper and, boom, we misplaced who they were. There was
nothing on the cassette itself to indicate who it was so we actually
have a band here called '?' cuz we have no idea who they are. It's one
song which usually meant of whatever songs the band sent, we found just
one. I don't think we ever didn't use a single song of a band so maybe
on a few with just one song it might be a bit just ok vs raging. Come
1986 literally, the last 30 tapes we got all sucked bad. Pop: the end
of BCT and, officially, it seemed, the end of the classic period of the
80's worldwide HC explosion. Ok, not officially but I keep having a
lotta trouble finding great HC bands post 86. While during 83 to 86,
especially with bands just sending us tapes in the mail, the quality
stuff just came flyin' outta the sky for 3 straight years. I don't even
know what's in MRR since 1986. I've found like 6 bands I like post '86
and that's trying. It just works like that. 50's music explosion.
60's music explosion. 80's HC explosion. Disco came and went maybe in
the 80's. Whatever other booms that have come and gone. The difference
is that no one keeps making new 50's music (of course rockabilly and
psychobilly boom and that's totally alive) but punk keeps it up, partly
cuz it stayed in our hands, not in the hands of big music business. So
if we wanted it to live, it lives. And, it lives. Now, thanks to Dr
Drunk (he helped me with a boil. But it hurt) and a buncha punx I keep
both meeting and re-meeting on my chris bct facebook page, and velved
and social napalm who keep making BCT tapes (I hear social napalm is
stopping tho?), it stays alive. Cuz it is. If art doesn't get lost, if
it was any good, it lives throughout the ages. And, baby, this stuff
lives.
Chris BCT Says: I'm still amazed at some of the great bands that sent tapes to BCT,
Razor Blades had a great discography style cd on Grand Theft Audio,
course, the Accused, in their pre whatever metal flavored stage?,
Cancerous Growth from around Boston, to us on the West Coast, like a
partner in crime to Psycho and Vicious Circle from Australia. Someone
found Youth Corps on this comp, if I understand it right, and made a 7"
outta it, I think with the band's permission. Happy Flowers are one of
the handful of bands on BCT that are outside the HC box. They have an
amazing song, in fact, it's the only one we used of theirs, called Mom I
Gave the Cat Some Acid (Don't Tell Dad). I looked for it on You Tube
and only found other versions of it that I didn't care for. This
version rocks. And it's like a punk band who took acid. For some
reason we didn't stick by our usual goal of having tapes by countries
and mixed in 5 other countries along with the U.S. bands. A local band,
the Wallflowers were the only band for BCT (except for Quod Massacre in
Yugoslavia who fervently asked us to be on the I've Got An Attitude
Problem 7") who basically asked us could they be on the comps. Nice
guys, local. The usual was that we only wanted songs we liked, that
whipped us, on our comps. This comp we maybe got a little loosey goosey
cuz there'd be a few songs that were on the fence, good HC but not
classic, not spectacular. This was our 2nd of 2 90 minute tape comps
and it would definitely be stronger if it was a 60. In the end, I found
I got attached to all the songs on BCT (ok, not on 9 TK or 23 FO/G or
the Finnish bands on 21. Interestingly, all 3 of those were selected by
other people, more on that when 21 comes up). The tapes ended up being
like our kids, yea, baby cassettes. Like a piece of art, something
that didn't exist before, that great world HC woven together into a new
configuration. And without links, computers, You Tube, bandcamp, it
really was a main way to get music into the hands of punx around the
world. Not only was tape cheaper for us to make and we only had to do
one at a time rather than say pay for 500 lps or 7"s, but ya got more
music for cheaper. A 7" would be maybe $2 for 14 minutes, an lp maybe
40 minutes for $6. We could sell a tape with 60 to 90 minutes, chock
full of the same great HC music as on a 7" or lp, but a real bargain.
And it was pretty common to find punx who had less rather than more
money. We had a guy in some mid western state who did and re-did almost
all our tape sleeves. This one and #22 and #2 weren't really to my
liking theme wise. I prefer to not have cursing due to my trying to be a
godly man (I find there's way more similarities between punx of those
who believe in God and those who don't believe in Him. I talked with
BGK for a coupla hours once and we ended up finding we had the exact
same beliefs about life except for our belief or non belief in God). I
get this tape sleeve, a cop. For some reason tho it just didn't come
clear. We have an alt version in the BCT catalog (we mailed out maybe
1000's of 'em, we didn't ask for a stamp or a buck but about 1/3 of the
time the punk would include it when they asked for one) of a drawing
that's also not particularly exciting for me. One thing I like about
BCT is we didn't just have a ton of skulls. Some punk recently
commented to me on my chris bct fb page about the BCT graphics, how they
were non standard for the HC world. I like that. 58 songs i 90
minutes. Ya know it's a punk tape. This tape comp is typical of what
tape comps could do: make a buncha bands available to your ears that you
might otherwise never hear. I look at the list of 23 bands and about
11 of them I never saw another release by them. Comps end up being a
living audio and visual museum of some bands who just barely were around
and sometimes, like the Accused, were not around long in that form (the
good, HC form!). Yak.
Chris BCT Says: I've been able to hear Music on Fire from the remaster Enormous Door
did. Still shows tape wear but I can't stop, pretty much. I'm stunned
how intense and amazing the music is. I'm not sure I've heard 60
minutes of this caliber of HC made since 1986. For I'm Buck Naked the
name came from a SNL skit some guy flashes his coat open with his back
to us, "I'm buck naked!" We generally stayed by countries but still had
Akutt Innleggelse and Raw Power. Mostly cuz the tapes from bands came
in as they came in. Detention is one of those bands that's a bit flat
on studio releases but kills live and this is a 5 song live set that, if
the world was right, some songs would be killa hits and Dead Rock n
Rollers would definitely be one of them (along with Mom, I Think I Gave
the Cat Some Acid and F. Authority and Raw Power and Mass Media, well
you get the idea). Eat the Rich was on 2 comps, they sent us two
different tapes at two different times. Psycho almost became a house
band ending up on maybe 3 comps and on I've Got An Attitude Problem.
When enterruption re-issued the best of this along with the best of #3
Eat Me, on cd, they edited the radio show of the Psycho tracks and
basically wham bammed 'em with no inter song talk per se and it really
tightened up the set. We were surprised when White Pride sent us a
tape. I don't remember if we'd heard of them before. We were in a
quagmire. What to do? We referenced the DK's inner lp sleeve of a bunch of male genitals and I
sure wasn't into that but considered it in terms of free speech which,
btw, is what radical Muslims get upset about the Western world, they see
our willingness to allow free speech and, thus, tons of porn and other
over the line stuff, as endorsing them but really it's tolerating it in
the name of free speech. So we wrote them back and said, ya know, yer
dealing with a Mexican and a liberal and whatever else we were that
racists would hate. They sent back a note that was fine. We didn't use
one song cuz the racism was just too stupid. We loved one song which
wasn't racist. There is one racist song but we figured anyone could
figure out that it's stupid. When we did the Raw Power tour in '84
Jello was speaking with punx in the front of the Adams Avenue Theater
and he asked to speak with BCT about WP bring on our tape. Basically,
we told him it was in the name of free speech which, ya know, that's
what free speech is, allowing someone who's opinion you detest to holler
at the top of their lungs their nonsense while you do the same (see the
American President, Michael Douglas, best president speech in the
movies ever). Looking back over 30 years I still can't decide what the
right thing to do was but we had to make a decision and reluctantly made
this one. Velved sells the BCT tapes but has simply edited out the WP
trax as they will have nothing to do with racism. We don't either and
still used these trax. A real dilemma. I love Akutt I. Classic non
Finnish Scandinavian HC sound. Love Canal and the Drills (Seattle) also
are on 2 BCT comps, again cuz they sent 2 different tapes. We used a 4
second song by Suburban Decay on our lst lp, We Can Do Whatever We
Want. It was the only song by them we used. Great tiny song too. I
remember we didn't have quite enough music to make the full 60 minutes
so we took another Raw Power song from some source that we'd not
previously used and used that one track to fill it out. We released
this 6/84 and did the Raw Power and Riistetyt tour from July to
September '84, 2 of the first non UK HC bands to ever tour the U.S. BGK
also toured for the first time that same summer. The one show we did
together was that lst International HC gig at the Olympic Auditorium,
5,000 punx, 5 slam pits. Some kid bashed into Jello and he got a cast
on his leg outta it and kids were swarming the stage when RP was on the
whole time. Totally memorable. I still can't believe we did a tour and
then after I lost $5,000 doing that my next BCT partner, Christopher,
convinced me to do the Indigesti tour in '86. We broke even cuz we
didn't rent any vehicles cuz Follow Fashion Monkeys had a van! Stiv of
T.V.O.R., one of the greatest zines in the world, from Italy, was also
on that tour. Man, these tapes are bringin' back the memories. And I
have yet to hear one cuz I can't figure out how to download 'em but Doc
is gonna hep me out. Meanwhile, it's clear to me that me and Dave just
happened to decide to do BCT in about 1982 and finally got off our
discussing it butts and started doing it in 1983 while thru 1986 the
explosion of awesome HC from around the mostly Western world exploded
all around us. And we happened to catch this stuff outta the HC sky and
ended up keeping it for posterity. I'm glad we made it a point to try
hard to not use any songs that sucked cuz then it made the comps
stronger and better lasting over the years. Thanks again Doc. Cool.
Chris BCT Says: Our second tape that we actually asked the band for and we got this from
TK. This tape is dedicated to their drummer, Walde, who died in
January, 1984. Contains studio and live cuts from 1982 to 1984. The
band made both the tape and the sleeve art. We used 7 songs from it
adding them onto the cd re-issue of I Thrash, Therefore I Am in 2002.
Other than those songs, I don't really care for the rest of this tape in
terms of musical quality. Oddly, to me, I've had more than one punk
tell me over the years how great this tape is so, I dunno, to each his
own. Basically, we felt a little sheepish when they sent the tape,
like, we'd asked them for whatever they wanted to send us and didn't
really wanna edit it up. If we had, it'd a been about 10 minutes and we
figured that wasn't enough for a full tape release. So, here it is.
Maybe I should listen to it again.
Chris BCT Says: This came out 3/84. We decided to ask 3 of our favorite bands if they'd
send us something for a tape, Rattus, Terveet Kadet and Funeral
Oration. This tape was completely made by Rattus. It includes demos
from 12/81, '82 and '83 for 32 songs and 2 live songs from '83. Over
the years I've seen the occasional list of Rattus releases and this tape
is rarely listed on such discographies. It is excellent. We had an
alternative cover, way better than this country one, of Rattus in big
letters over an a bomb cloud and a guy with his back of his head to the
explosion drawn by Jason Treager. At least we used it in our BCT
catalog. We were working with Vote Vasko, the main punk connection for
Finnish punk with the rest of the punk world, to have Rattus on the Raw
Power summer '84 tour. However, at sorta the last minute they couldn't
make it and instead he asked if Riistetyt could come instead. We said
sure cuz they were also musically great. Turned out on the tour they
changed their musical style to more like Lords of the New Church, Jr.,
but, what the heck. So a few of the flyers from that tour show Rattus
on the flyer tho they were never here in '84. I think they first toured
the U.S. in 2002 if I'm not mistaken.
Chris BCT Says: I wrote a list of all my favorite albums and a few 7"s and called this
my favorite album of all time at chrisbct2.blogspot.com. Originally a
60 minute tape, re-issued in 2002 as a 72 minute cd, 500 copies. When
we were originally making it Antonio is sayin', 'No, not this track.'
due to some perceived imperfection of the performance for this song or
that one. Me and Dave are like flummoxed, cuz every song ruled. He was
the bassist so we did what he wanted. I still disagree. Every song
CCM did and, oddly, strangely, every song of the entire gig rules. I've
always loved split releases and this works to perfection as a 3 split
release. Most bands fall into the either they're great in the studio
and not so great live or the opposite. Only a few blast in both. CCM
has some great releases particularly their split cassette release with
IRI! Permanent Scar. It was re-issued shorter on lp. They've done
other albums and 7"s but nothing compares to their live set and this one
is their finest. Period. They do many maybe even all the songs from
the PS release. There's something about their intensity. I had a punk
friend and his punk friend in the back of my parent's big car in S.F.
maybe in 2002 and we're crusin' in the night and I'm blastin' this thing
and as every CCM song comes on I'm askin' 'em if that's tearin' their
heads off and they're laughin' and shouting how it is and then the next
song comes on and it was just a frenzy. CCM only toured the U.S. once,
1986. They honored us by driving all the way down from Utah or
somewhere to do our San Diego show then back up to S.F. It was one of
the great shows I ever saw. Virtually exactly as amazing as this one.
Oddly, the S.F. show was video taped and it is flat. I don't know why.
Some folks say CCM is the Italian Germs. I can see it. I saw both
bands and there's no question that CCM is band they are only with some
overlap with the Germs. Really what they are, particularly on this live
tape, is the greatest live recorded HC set ever. When the 2002 cd came
out I was communicating with Syd, the singer and he suggested that all
the music be made free. It's what's instigated me to do so onto the
Internet once I get the BCT tapes remastered. These on Dr Drunk are a
great way to start tho I have yet to successfully hear a note of any of
the tapes cuz of downloading issues. IRI! is a completely unique HC
band. I still don't know what they have besides some keyboard. They
have a song where there's an explosion. It's 1983. How did they do
that? No computers. I generally dislike keyboard. Pere Ubu does it
cuz they're so off kilter about it and the Doors and Elvis Costello seem
to do it. But in a HC band, I just don't get it but it totally works.
The singer visited us in the mid 80's with his gf. They vacationed in
Mexico and he came back and showed us a 7 layer deep burn in the middle
of his chest. Traumatic was, at the time, folding. But, apparently
they came back in to be in this gig. It's tight and total 60's punk.
Italy has a very unique musical fabric and Traumatic (and Juggernaut)
give us a connection to the 60's punk but still very flavorful of the
classic 80's Italian HC. Like Walter Brennan said in an old b&w
movie: no brag, just fact. At the end of this vol ll we chose a Christmas song and speeded it up.
Antonio wrote a manifesto type statement and attempted to say it in
Italian but failed spectacularly so, of course, we included it. Then I
said it in English but got overly excited and loud so the last sentence
is missed which is something like, 'against cops, no matter what uniform
they wear.' It's the only time on a BCT tape that we added our own
thing.
Chris BCT Says: We had, literally, 80 punx from around the world, Canada, the UK, Italy,
Germany, Australia, Mexico, Finland, Japan and maybe a coupla other
countries, come to the house in the 80's. In the snail mail days it was
all arranged by, well, snail mail and maybe the rare expensive long
distance call. They were all comin' out anyway but we made it a point
to hang. The first visitor was Antonio, the bassist of Cheetah Chrome
Motherf..'s and his non English speaking friend (whose smiling face is
on the LWC tape sleeves). He arrived 12/11/83, a week after the LWC
gig. And he not only had the tapes of the gig but also permission and
request from GDHC Gran Ducato HC, a collective of punx in Italy and
their label Cessophena Records, for BCT to release this show. All BCT
tapes had been 60 minute comps. But there was about 5 hours of music
here and it all ripped. I still consider it the finest recorded HC gig
of all time. Antonio, his friend and my lst BCT partner, Dave, and I
went to work creating the 2 volumes. Antonio was quite firm about what
he did and didn't want particularly for the CCM trax. One day I hope to
post the entire unedited gig online somewhere. It really is awesome
all the way through. War Dogs had given Antonio their demo tape to give
to us to release however we thought to, which was the BCT part, taking
music sent to us and then choosing the great stuff. We also edited out
like down live time between songs, again tho, never editing a song
itself. We finally released it 2/84. It shows ya how much time it took
to make one of these. Back in our first year or two we also included a
booklet. Fortunately, I still have a copy of each of them which is
whatever paperwork any band sent with their tape. We stopped including
the booklets at some point cuz of the cost given that BCT never made any
money. This tape was re-issued on cd in 2002 by a consortium of
enterruption, Human Stench and Schizophrenic Records and BCT, 500
copies. This is a classic case of, well, on this tape of course you go
on to hear of Raw Power but all the other 8 didn't make a lotta
awareness over the years tho Juggernaut did do a cd album. They and
Traumatic on vol ll are a 60's sorta HC band. There was a nice 'outside
the HC box' from some bands.
Chris BCT Says: I notice we show 45 songs in the BCT catalog while you show 40 here.
It's the Brown Studio '83 tracks. The band laughs when I mention that
cuz they say it wasn't hardly a studio at all and then 3 demo songs from
'84. Then the other side is their complete set from the 12/4/83 Last
White Christmas gig in Pisa. It's when they had the amazing screaming
vocalist for a few of their songs. He didn't make the U.S. tour in '84
so Davide took his place with a touch more metal flavor git and
admirable scream replacement.
Chris BCT Says: We got like 2 60's and a 90 of Italian HC from Roberto Schavio with the
music that ended up being 2 Music on Fire and 4 Ahhh... Syd of CCM had
seen a tiny ad we put in a sorta new wave Italian mag that we'd stumbled
on, Rockerilla I think and asked Roberto to send us those tapes of,
well, this music. Course, we went nuts. It's how we first got contact
with Raw Power who told us they wanted to tour the U.S. and hadn't be4.
No non UK HC band had till BGK, Raw Power and Riistetyt did in summer
of '84. We'd never done anything like that but it was a tour of a
lifetime for us.
Chris BCT Says: Our 2nd U.S. comp done in 12/83 after 1 First Strike which we called it
that cuz by the time we did our first tape we were already working on a
few more. Got to use our friends Solucion Mortal from TJ whom we'd met
earlier in mid 83 in TJ at a show with like 9 bands, they were the only
Mexican one and opened and they kept adding bands. X and Minutemen were
supposed to end the show but the cops closed it at midnight. At a
movie theatre, no problems either. I wish I knew who the amazing Tucson
rockabilly band was. Awesome. It was great makin' HC comps in the mid
80's. Just a coincidence we'd decided to do it in the middle of the
explosion of world classic HC.
Chris BCT Says: When we got those 2 60's and the 90
of Italian HC it just blew us up and the name of the tape just came
naturally. Wretched continues to be one of the most amazing bands I've
ever heard. This tape has the first BCT tape with Raw Power. We ended
up doing 5 Raw Power, their live set at the Last White Christmas gig of
12/4/83 on 6 LWC vol l, 1 song on I'm Buck Naked and the 17 Raw Power
live in the US '84 from tapes I made from that tour. and other live '84
trax from that tour on 18 I Thrash, Therefore I Am. As with every
Italian punk we met in the 80's, all high quality guys. RIP Giuseppe
Codellupi. We made it a point to only use songs we liked so most of our
tapes still rip ya head off cuz quality travels time well.
Chris BCT Says: We just put little ads in zines and then regularly in MRR including up
to 1/2 a page on a few issues. I can't and we couldn't then believe
that Clit Boys, Vatican Commandos and Mr Epp sent us tapes. Like some
of the classic great U.S. HC of the day. It's one of the leveling
element of punk. Ya find great bands, some known, some not, on all
kinda punk comps. As time passed it has been interesting to see some
were really rarely heard elsewhere cept on the bct tape comp they were
on, least that I was able to see. My then girlfriend's little brother,
well, I turned him onto HC, felt like I was turning him onto drugs. And
he immediately formed Cultural Breakthrough. He did end up becoming an
attorney just like he said and the one time I went to visit him in his
office he had a CB t-shirt there to give me. Like 20 years later. This
tape came out 10/83.
That's right, February is Bad Compilation Tapes Month! I've finally been able to collect 1 through 27 and you're getting every last one of them! God Bless America!!